蛇形吊灯的起源、类型和功能:从荷兰到立陶宛

Q3 Arts and Humanities
Alantė Valtaitė-Gagač
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引用次数: 1

摘要

立陶宛国家博物馆和立陶宛艺术博物馆收藏的蛇形吊灯是立陶宛最早发现的蛇形吊灯之一。以前曾在拉脱维亚或波兰寻找类似直径的枝形吊灯,同时在立陶宛和邻国收集照明装置的材料,但没有成功。由于这一原因,人们认为这些非常雅致的枝形吊灯的传播仅限于立陶宛境内。对西欧博物馆的藏品进行更仔细、更彻底的研究后发现,吊灯臂上优雅盘绕的蛇的主题应该与汉斯·罗格斯(Hans Rogiers)有关,他于1598年至1638年在阿姆斯特丹工作。在这篇文章中,作者首次追溯了西欧蛇臂吊灯的起源,以及它们可能到达立陶宛的途径。在立陶宛幸存或未幸存的标本,它们的发展和年代问题进行了分析。探索了它们的功能空间,并讨论了它们的象征意义。本文旨在介绍和评价立陶宛现存的蛇臂吊灯。在研究中,使用了形式分析、比较分析、图像分析和重建分析等工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Origin, Types, and Functioning of Chandeliers with Serpent Arms: From the Netherlands to Lithuania
Summary Chandeliers with serpent arms held at the National Museum of Lithuania and the Lithuanian Art Museum are among the earliest found in Lithuania. Previous efforts to find chandeliers of similar décor in Latvia or Poland while collecting material on lighting fixtures in Lithuania and the neighbouring countries were unsuccessful. Due to that reason, it was thought that the spread of these chandeliers of extraordinary décor was limited to the territory of Lithuania. A closer and more thorough look into collections of Western European museums has revealed that the motif of an elegantly coiled snake on chandelier arms should be related to Hans Rogiers, a founder who worked in Amsterdam in 1598–1638. In the article, the origin of chandeliers with serpent arms in Western Europe and the ways they could have possibly reached Lithuania are traced back for the first time. Specimens that survived or did not survive in Lithuania, their development and problems of dating are analysed. Their functioning space is explored and the subject of their symbolism is addressed. The article aims to present and evaluate the surviving chandeliers with serpent arms in Lithuania. In the research, instruments of formal, comparative, iconographic, and reconstructive analysis were used.
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来源期刊
Art History and Criticism
Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
7
审稿时长
24 weeks
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