传统伊尔卡丽纱布上murgi kasuti图案的设计与发展

Jyoti S Kordhanyamath, Kauvery Bai S
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引用次数: 0

摘要

和其他领域一样,传统纺织品的发展是必不可少的。印度文化及其丰富的遗产反映在传统纺织品中。在全国各地生产的每一种纺织品都拥有丰富的遗产和民族引以为豪的文化。这种排他性之一是在北卡纳塔克邦巴加尔科特地区的伊尔卡尔镇生产的伊尔卡尔纱丽。伊尔卡尔纱布的独特之处在于其施工过程中采用了托佩特尼、康迪技术。时尚潮流的变化可能会使传统纺织品被人遗忘。这项研究主要是为了复兴传统的伊尔卡尔纱丽和编织的卡苏提刺绣。尝试用棉纱、莫代尔纱、竹纱和香蕉纱织成提花装置,在伊尔卡尔纱丽上编织卡苏提图案。murgi图案是用额外的纬纱编织成旋转图案。这项研究背后的概念是实施新纱线的使用,使其具有新的外观,并复兴伊尔卡尔手工织布的传统艺术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Design and development of murgi kasuti motifs on traditional Ilkal sarees
The development in traditional textile is an essential, as in any other field. Indian culture and its rich heritage are reflected in traditional textiles. Each textile produced in various corners of the country boasts of rich heritage and culture that the nation prides. One among such exclusivity is the Ilkal saree produced in the Ilkal town of Bagalkot district, North Karnataka. The special feature of Ilkal saree lies in construction process of topeteni, kondi technique. The changing trends in fashion may let the traditional textiles sink into oblivion. The research primarily intends to revive the traditional Ilkal saree with woven Kasuti embroidery. An attempt is made to weave kasuti motifs in Ilkal sarees with Jacquard set up using Cotton, Modal, Bamboo and Banana yarns. The murgi motif is woven with an extra weft yarn as swivel patterns. The concept behind the study is to implement the usage of new yarns, shades to give a new look and to revive the traditional art of Ilkal handloom weaving.
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