《诗人之死》维陶塔斯·马埃尼斯的墓志铭和献词

Q3 Arts and Humanities
Colloquia Pub Date : 2022-07-19 DOI:10.51554/coll.22.49.05
Gintarė Bernotienė
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引用次数: 0

摘要

本文的作者考察了1966年后生活在苏联和后苏联立陶宛的诗人对诗人维陶塔斯·马埃尔尼斯的献词。这组碑文(墓志铭、献词和文学信件)分散在诗集和期刊中,按体裁统一,作为一系列人工制品进行分析,确认了马埃尼斯作为文学经典的地位,并揭示了诗人在作家群体和民族文化记忆中的接受程度。马埃尼斯的形象和传说的形成都受到他英年早逝的影响。反过来,这导致了诗人形象的神秘化,并使他被赋予了先知和国家守护者的近乎超自然的力量。关于ma厄尼斯的最重要的文本强调了诗人作为立陶宛文学经典中最年轻的诗人的逐渐确立的阶段,以及将他浪漫化并以一种异国情调的方式呈现他的命运的普遍趋势。奉献的诗歌形式和互文的联系证明了一个事实,即马埃尼斯的作品已被公认为佳能的重要组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Death of a Poet. Epitaphs and Dedications to Vytautas Mačernis
The author of the article examines the corpus of dedications to the poet Vytautas Mačernis, written by poets who lived in Soviet and post-Soviet Lithuania after 1966. The group of epitexts (epitaphs, dedications, and literary letters), scattered in collections of poems and periodicals and united by genre, is analyzed as a series of artefacts confirming the status of Mačernis as a literary classic and revealing the reception of the poet in the community of writers and in the cultural memory of the nation. The formation of Mačernis’s image and the legend about him was influenced by his early death. In turn, it led to a mystification of the poet’s figure and to the attribution to him of almost supernatural powers of a prophet and guardian of the nation. The most significant texts dedicated to Mačernis highlight the gradual stages of poet’s establishment as the youngest poet in the canon of Lithuanian literature and the prevailing, almost fixed trend of romanticizing him and presenting his destiny in an exotic way. The poetic forms of the dedications and the intertextual connections testify to the fact that Mačernis’s works have been recognized as an essential part of the canon.
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
CiteScore
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