{"title":"《古兰经》的美学阐释:批判性研究","authors":"F. M. Manshur","doi":"10.36667/tajdid.v29i1.934","DOIUrl":null,"url":null,"abstract":"This study discusses Sarah R. Bin Tyeer’s views concerning Al-Qur’an aesthetics. This article emphasizes that people who read pre-modern Arabic-Islamic literature often encounter themes of binary opposition within them, for example, the conflict between the sacred and the profane, the pious and the godless. In the Arab-Islamic tradition, literary and aesthetic elements are pre-modern, modern, and contemporary literary expressions that show the continuity of the influence of Al-Qur’an as a sacred entity. Tyeer thinks that there have been many scientific studies placing Al-Qur’an in the history of literature and investigating its influence on Arabic literature. Through critical discourse analysis method, this study has tried to describe, interpret, and critically explain Al-Qur’an esthetics discourse. This method has proven that Tyeer’s ideas concerning Al-Qur’an aesthetics are considered appropriate in elaborating and exploring the relationship between Tyeer’s thoughts on Al-Qur’an aesthetics with the cultural and social contexts that surround it. Tyeer also succeeded in explaining the relationship between the use of the beauty of Al-Qur’an language and Arab social and cultural practices. In this case, Tyeer’s view is focused on the text and context, not on the scientific paradigm.","PeriodicalId":8646,"journal":{"name":"At-Tajdid: Jurnal Ilmu Tarbiyah","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Aesthetic Interpretation of the Qur'an Sarah R. Bin Tyeer: A Critical Study\",\"authors\":\"F. M. Manshur\",\"doi\":\"10.36667/tajdid.v29i1.934\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study discusses Sarah R. Bin Tyeer’s views concerning Al-Qur’an aesthetics. This article emphasizes that people who read pre-modern Arabic-Islamic literature often encounter themes of binary opposition within them, for example, the conflict between the sacred and the profane, the pious and the godless. In the Arab-Islamic tradition, literary and aesthetic elements are pre-modern, modern, and contemporary literary expressions that show the continuity of the influence of Al-Qur’an as a sacred entity. Tyeer thinks that there have been many scientific studies placing Al-Qur’an in the history of literature and investigating its influence on Arabic literature. Through critical discourse analysis method, this study has tried to describe, interpret, and critically explain Al-Qur’an esthetics discourse. This method has proven that Tyeer’s ideas concerning Al-Qur’an aesthetics are considered appropriate in elaborating and exploring the relationship between Tyeer’s thoughts on Al-Qur’an aesthetics with the cultural and social contexts that surround it. Tyeer also succeeded in explaining the relationship between the use of the beauty of Al-Qur’an language and Arab social and cultural practices. In this case, Tyeer’s view is focused on the text and context, not on the scientific paradigm.\",\"PeriodicalId\":8646,\"journal\":{\"name\":\"At-Tajdid: Jurnal Ilmu Tarbiyah\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-08-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"At-Tajdid: Jurnal Ilmu Tarbiyah\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36667/tajdid.v29i1.934\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"At-Tajdid: Jurnal Ilmu Tarbiyah","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36667/tajdid.v29i1.934","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
本研究探讨Sarah R. Bin Tyeer关于《古兰经》美学的观点。这篇文章强调,阅读前现代阿拉伯-伊斯兰文学的人经常会在其中遇到二元对立的主题,例如,神圣与世俗,虔诚与无神之间的冲突。在阿拉伯-伊斯兰传统中,文学和美学元素是前现代、现代和当代的文学表达,它们显示了古兰经作为一个神圣实体的影响的连续性。泰尔认为,已经有许多科学研究将《古兰经》置于文学史中,并调查其对阿拉伯文学的影响。本研究试图通过批判话语分析法,对《古兰经》美学话语进行描述、解读和批判解释。这一方法证明了泰尔的古兰经美学思想在阐述和探讨泰尔的古兰经美学思想与其所处的文化和社会背景之间的关系时是恰当的。泰尔还成功地解释了使用古兰经语言之美与阿拉伯社会和文化习俗之间的关系。在这种情况下,泰尔的观点侧重于文本和语境,而不是科学范式。
Aesthetic Interpretation of the Qur'an Sarah R. Bin Tyeer: A Critical Study
This study discusses Sarah R. Bin Tyeer’s views concerning Al-Qur’an aesthetics. This article emphasizes that people who read pre-modern Arabic-Islamic literature often encounter themes of binary opposition within them, for example, the conflict between the sacred and the profane, the pious and the godless. In the Arab-Islamic tradition, literary and aesthetic elements are pre-modern, modern, and contemporary literary expressions that show the continuity of the influence of Al-Qur’an as a sacred entity. Tyeer thinks that there have been many scientific studies placing Al-Qur’an in the history of literature and investigating its influence on Arabic literature. Through critical discourse analysis method, this study has tried to describe, interpret, and critically explain Al-Qur’an esthetics discourse. This method has proven that Tyeer’s ideas concerning Al-Qur’an aesthetics are considered appropriate in elaborating and exploring the relationship between Tyeer’s thoughts on Al-Qur’an aesthetics with the cultural and social contexts that surround it. Tyeer also succeeded in explaining the relationship between the use of the beauty of Al-Qur’an language and Arab social and cultural practices. In this case, Tyeer’s view is focused on the text and context, not on the scientific paradigm.