Brian Cherney作为学者和创意艺术家

Robin Elliott
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引用次数: 0

摘要

作为一名著名的作曲家,切尼也一直活跃在音乐学术领域。他的音乐学博士论文是关于魏玛时代的德国音乐批评,但在他后来的职业生涯中,他对加拿大音乐研究做出了重要而及时的干预。在他的出版物中,有关于约翰·温茨威格和皮埃尔·梅居的文章,以及一本关于哈里·萨默斯的专著,萨默斯是他正在进行的研究的主题。他在麦吉尔大学开设的加拿大音乐课程使许多学生对加拿大的作曲音乐有了认真的学习和理解。本文考虑了切尼的音乐奖学金,并推测这项工作可能对他作为作曲家的创作活动产生了怎样的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Brian Cherney as Scholar and Creative Artist
While best known as a composer, Cherney has also been active in music scholarship. His doctoral thesis in musicology was on German music criticism during the Weimar era, but in his later career he has made important and timely interventions into Canadian music studies. Among his publications are articles on John Weinzweig and Pierre Mercure, as well as a monograph on Harry Somers, who is the subject of his ongoing research. His course on Canadian music at McGill University has introduced many students to the serious study and understanding of composed music in Canada. This article considers Cherney’s music scholarship and speculates on how this work may have had an impact upon his creative activities as a composer.
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