{"title":"头号玩家和美国经济和技术霸权的重新确立","authors":"Claire Stanford","doi":"10.1353/mfs.2022.0009","DOIUrl":null,"url":null,"abstract":"Abstract:This essay offers a geopolitical reading of Ernest Cline's Ready Player One (2011), focusing on the novel's often-overlooked Japanese characters. While the novel is set in 2045, its narrative is an allegory for present-day global economic tensions between a recession-era US and a rising Asia. By reducing the novel's Japanese characters to premodern and postmodern Japanese tropes (the samurai and the hikikomori [shut-in]), Cline portrays Japan as an economic and technological threat that has been contained, and thus models a future in which American individualism wins out over Asian collectivism.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"75 1","pages":"201 - 218"},"PeriodicalIF":0.5000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ready Player One and the Reassertion of US Economic and Technological Supremacy\",\"authors\":\"Claire Stanford\",\"doi\":\"10.1353/mfs.2022.0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay offers a geopolitical reading of Ernest Cline's Ready Player One (2011), focusing on the novel's often-overlooked Japanese characters. While the novel is set in 2045, its narrative is an allegory for present-day global economic tensions between a recession-era US and a rising Asia. By reducing the novel's Japanese characters to premodern and postmodern Japanese tropes (the samurai and the hikikomori [shut-in]), Cline portrays Japan as an economic and technological threat that has been contained, and thus models a future in which American individualism wins out over Asian collectivism.\",\"PeriodicalId\":45576,\"journal\":{\"name\":\"MFS-Modern Fiction Studies\",\"volume\":\"75 1\",\"pages\":\"201 - 218\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MFS-Modern Fiction Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mfs.2022.0009\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MFS-Modern Fiction Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mfs.2022.0009","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Ready Player One and the Reassertion of US Economic and Technological Supremacy
Abstract:This essay offers a geopolitical reading of Ernest Cline's Ready Player One (2011), focusing on the novel's often-overlooked Japanese characters. While the novel is set in 2045, its narrative is an allegory for present-day global economic tensions between a recession-era US and a rising Asia. By reducing the novel's Japanese characters to premodern and postmodern Japanese tropes (the samurai and the hikikomori [shut-in]), Cline portrays Japan as an economic and technological threat that has been contained, and thus models a future in which American individualism wins out over Asian collectivism.
期刊介绍:
Modern Fiction Studies publishes engaging articles on prominent works of modern and contemporary fiction. Emphasizing historical, theoretical, and interdisciplinary approaches, the journal encourages a dialogue between fiction and theory, publishing work that offers new theoretical insights, clarity of style, and completeness of argument. Modern Fiction Studies alternates general issues dealing with a wide range of texts with special issues focused on single topics or individual writers.