凯瑟琳·曼斯菲尔德，后印象派画家

IF 0.5 3区文学 0 LITERATURE

MFS-Modern Fiction Studies Pub Date : 2023-03-01 DOI:10.1353/mfs.2023.0001

Brian May

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引用次数: 0

摘要

摘要:关于“伍尔夫的文学印象派”，安·班菲尔德断言，“凯瑟琳·曼斯菲尔德是决定性的影响，但也体现了印象派的局限性”(《时光流逝》471)。曼斯菲尔德从未创作出“后印象派的‘现代小说’”，甚至在《前奏》和《在海湾》中也没有。但班菲尔德忽略了曼斯菲尔德对另一种后印象主义的阐述，这种设计不是伍尔夫式的设计，在伍尔夫式的设计中，时刻是结晶的，千变万化的，而是一种早期的、超自然的运动。曼斯菲尔德的后印象主义，不像伍尔夫的那样正式复杂，更形而上。它最具活力的例子是《在海湾》中的潮汐池，一个潮汐池被伍尔夫接管，静止，并在《到灯塔去》中梳理海滩的场景中变得庄严。

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Katherine Mansfield, Postimpressionist

Abstract:On "Woolf's literary impressionism," Ann Banfield asserts, "Katherine Mansfield was the decisive influence yet exemplified Impressionism's limits" ("Time Passes" 471) Mansfield never achieved "a post-impressionist 'modern fiction,'" not even in "Prelude" or "At the Bay." But Banfield overlooks Mansfield's elaboration of an alternative postimpressionism that consists not in Woolfian design in which moments are crystallized and kaleidoscopically arranged, but rather in visions of an incipient, preternatural motility. Mansfield's postimpressionism, less formally complex than Woolf's, is more metaphysical. Its most vibrant instance lies within the tidal pool in "At the Bay," a tidal pool taken over, stilled, and solemnized by Woolf for the beach-combing scene in To the Lighthouse.

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来源期刊

MFS-Modern Fiction Studies LITERATURE-

CiteScore

0.70

自引率

0.00%

发文量

期刊介绍： Modern Fiction Studies publishes engaging articles on prominent works of modern and contemporary fiction. Emphasizing historical, theoretical, and interdisciplinary approaches, the journal encourages a dialogue between fiction and theory, publishing work that offers new theoretical insights, clarity of style, and completeness of argument. Modern Fiction Studies alternates general issues dealing with a wide range of texts with special issues focused on single topics or individual writers.