{"title":"最近音乐录影带中的阻力","authors":"B. Osborn","doi":"10.5406/MUSIMOVIIMAG.14.2.0051","DOIUrl":null,"url":null,"abstract":"Abstract:A number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimization regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"19 8 1","pages":"51 - 67"},"PeriodicalIF":0.5000,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Resistance Gazes in Recent Music Videos\",\"authors\":\"B. Osborn\",\"doi\":\"10.5406/MUSIMOVIIMAG.14.2.0051\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:A number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimization regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.\",\"PeriodicalId\":41714,\"journal\":{\"name\":\"Music Sound and the Moving Image\",\"volume\":\"19 8 1\",\"pages\":\"51 - 67\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-05-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Sound and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/MUSIMOVIIMAG.14.2.0051\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Sound and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/MUSIMOVIIMAG.14.2.0051","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Abstract:A number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimization regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.
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