电视连续剧制作中观众需求与制片人期望的平衡

C. Wagumba, Michael M. Kamau
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引用次数: 0

摘要

这项研究揭示了电视台高管如何在不断变化的数字广播环境中平衡观众的娱乐需求和制片人的期望。本研究以使用、满足、编码和解码理论为基础。本研究采用混合方法设计方法,采用调查问卷(415)、fgd和深度访谈5个电视台主管在肯尼亚和连续剧小说制片人。结果表明,电视台高管在满足城市观众需求和制片人需求方面处于中心地位。电视台高管将观众和连续剧制作人视为“利润容器”,对他们做出的任何决定都应该以给电视台带来经济利益为最终目标。研究建议在电视台主管和连续剧制作人之间架起桥梁,让电视台主管在连续剧制作中扮演顾问和咨询的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Balancing Audience’s Needs and Producer’s Expectations in Television Serial Drama Programming
The study sheds light on how the TV station executives balance the entertainment needs of its audience and the producers' expectations within a changing digital broadcast environment. The study is anchored on uses, gratification, and the encoding and decoding theories. The research employs a mixed-method design approach by using survey questionnaires (415), FGDs and in-depth interviews with 5 TV station executives in Kenya and serial drama fiction producers’. The results indicate that the station executive takes centre stage to fulfil the urban audience needs and the producers’ needs respectively. The station executives’ contextualize the viewers and the serial drama producers as ‘profit vessels’ and any decision made towards them should culminate in economic benefit to the station. The study recommends bridging the relationship between the station executives and the serial drama producers, making the former play an advisory and consulting role in the productions.
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