《莱茵河综合》(1600-1601)中与法国法院的关系

Cécile Berger
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摘要

本文的目的是研究特里斯塔诺·马蒂内利在1600年10月至1601年1月17日期间的修辞学作品的发展和背景。这部作品现在只有一份,保存在法国国家图书馆。这本书是在纳瓦拉国王亨利四世和玛丽亚·德·美第奇于1600年12月17日在里昂举行的皇室婚礼上出版的。在这种特殊场合,法国宫廷自1570年代以来经常邀请意大利喜剧演员。同时,他们大多利用在法国的存在发表个人作品,主要是喜剧和关于喜剧的理论著作。在这种情况下,著名喜剧演员特里斯坦诺·马蒂内利(Tristano Martinelli),被称为有史以来第一个也是最好的阿莱基诺,出版了一本半空的书,只有几页印刷。对书中文字的分析不仅揭示了特里斯坦诺·马蒂内利的个性,还揭示了这位喜剧演员与法国国王和王后之间的独特关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
I rapporti con la corte francese dell’Arlecchino Tristano Martinelli nelle 'Compositions de rhétorique' (1600-1601)
The Arlecchino Tristano Martinelli’s relationship with the Royal French Court, in the Compositions de rhetorique (1600-1601) The purpose of this paper is to examine the development and context of the Compositions de rhetorique by Tristano Martinelli between October 1600 and 17 January 1601. This work is nowadays conserved in one single copy, stored at the Bibliotheque Nationale de France. The book was published on the occasion of the royal wedding between King Henry IV of Navarre and Maria de’ Medici, officiated on 17 December 1600 in Lyon. For exceptional occasions of this kind, the French Court often invited Italian comedians since the 1570s. At the same time, most of them took advantage of their presence in France to publish personal works, mainly comedies and theoretical writings about comedy. In this case, the famous comedian Tristano Martinelli, known as the first and best Arlecchino ever, published a book that is half empty, containing only a few printed pages. The analysis of its printed pages sheds light on Tristano Martinelli’s personality, but also on the unique relationship between this actor from the commedia dell’arte and the King and Queen of France.
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