近代早期英国思想史上的音乐之声

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY

Sound Studies Pub Date : 2022-04-25 DOI:10.1080/20551940.2022.2064262

Marlene Eberhart

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引用次数: 0

摘要

米歇尔·Chion, 2012。“三种聆听模式”。乔纳森·斯特恩编辑的《声音研究读本》，48-53页。纽约:劳特利奇出版社。艾玛·狄龙，2012。声音的意义:1260-1330年法国的音乐意义。新文化音乐史。纽约:牛津大学出版社。伊丽莎白·伊娃·利奇2007。《歌唱的鸟:中世纪后期的音乐、自然和诗歌》。纽约州伊萨卡:康奈尔大学出版社。

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Musical sound in the intellectual history of early modern England

Chion, Michel. 2012. “The Three Listening Modes.” In The Sound Studies Reader, edited by Jonathan Sterne, 48–53. New York: Routledge. Dillon, Emma. 2012. The Sense of Sound: Musical Meaning in France, 1260-1330. New Cultural History of Music. New York: Oxford University Press. Leach, Elizabeth Eva. 2007. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY: Cornell University Press.

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来源期刊

Sound Studies HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.30

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0.00%

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