透过暗箱看:朝鲜战争的生活照片和美国自我的冷战焦虑

IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Junghyun Hwang
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引用次数: 0

摘要

摘要:《生活》杂志的摄影之眼所看到和展示的朝鲜战争构成了冷战地图和美国在冷战中的位置的一个有争议的地理位置。通过《生活》杂志的暗箱,韩国被认为是美国人想象中的“未知之地”,而这本自称为“国家镜子”的杂志则证明了自己是一个有趣的窥物盒,是美国人“看待”朝鲜战争、冷战以及美国人在世界上的方式的万花筒。具体来说,这篇文章将《生活》杂志记者大卫·道格拉斯·邓肯(David Douglas Duncan)关于朝鲜战争的摄影文章置于美国和韩国文化历史的交叉点上,通过冷战自由主义的视角来审视它们,她认为冷战自由主义更深入地挖掘了美国的边疆神话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Seen through the Camera Obscura: Life Photographs of the Korean War and Cold War Anxiety of the American Self
Abstract:The Korean War as seen and shown by Life's photographic eye constitutes a contested geography in mapping the Cold War and locating America's place in it. Seen through the camera obscura of Life, Korea is conceived as a "terra incognita" of American imagination, and in turn, the magazine as the self-proclaimed national looking glass proves itself to be an interesting peep-box—a kaleidoscope of the American ways of "seeing" the war in Korea, the Cold War, and Americans themselves in the world. Specifically, the article situates Life's correspondent David Douglas Duncan's photo-essays on the Korean War in the intersections of American and Korean cultural histories, examining them through the lens of Cold War liberalism, which she argues taps deeper into the American frontier myth.
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来源期刊
Cultural Critique
Cultural Critique Multiple-
CiteScore
0.50
自引率
0.00%
发文量
37
期刊介绍: Cultural Critique provides a forum for international and interdisciplinary explorations of intellectual controversies, trends, and issues in culture, theory, and politics. Emphasizing critique rather than criticism, the journal draws on the diverse and conflictual approaches of Marxism, feminism, psychoanalysis, semiotics, political economy, and hermeneutics to offer readings in society and its transformation.
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