透过学生的绘画、影像及手工艺品,制作及传播边缘知识

Q3 Arts and Humanities
E. Katsarou, Konstantinos Sipitanos
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引用次数: 1

摘要

多模式教育能否有助于所有学生融入社会,并在以人口大规模流动和相关的社会变化为特征的教育环境中促进民主文化,而这些变化通常会促进种族主义和排斥?在本文中,我们认为多模态,特别是它的社会符号学方法(Kress, 1995,2009;Kress & van Leeuwen, 2001;van Leeuwen, 2005),不仅仅是“新学习”(适应当代社会和新技术的需要)课程的另一个必要补充。更重要的是,它可以提供生产、分配和传播知识的民主方式。我们与知识民主倡议(Sousa Santos, 2018年)合作,参与了一个名为“背包id”的伊拉斯谟+项目,该项目是参与学校的一项自下而上的创新,我们通过具体的例子证明,学生的绘画和数字故事讲述可以为课堂上所有学生创造社会包容的前景。更具体地说,我们试图通过细节和实践实例来展示,作为一个多符号学空间的教室,如何成为一个建立在包容不同历史、记忆、语言、身份和认识论基础上的民主空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Producing and disseminating marginalized knowledge through students’ drawings, videos and crafts
Can multimodality contribute to the social inclusion of all students and to fostering of a democratic culture in educational settings characterized by major population movements and relevant social changes that usually promote racism and exclusion? In this paper, we argue that multimodality, especially its social semiotic approach (Kress, 1995, 2009; Kress & van Leeuwen, 2001; van Leeuwen, 2005), is not just another necessary addendum to the curriculum for “new learning” (adjusted to the needs of contemporary societies and new technologies). More importantly, it can offer democratic ways to produce, distribute and disseminate knowledge. Having worked with the Knowledge Democracy initiative (Sousa Santos, 2018) in an Erasmus+ Project called Backpack-ID, developed as a bottom-up innovation in participating schools, we demonstrate, through specific examples, that the students’ drawings and digital storytelling can create prospects for social inclusion for all students in the classroom. More specifically, we try to show, in detail and through instances of practice, how a classroom, as a multi-semiotic space, can become a democratic space founded on the inclusion of diverse histories, memories, languages, identities and epistemologies.
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来源期刊
Punctum International Journal of Semiotics
Punctum International Journal of Semiotics Social Sciences-Linguistics and Language
CiteScore
0.60
自引率
0.00%
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