第一次世界大战期间犹太人维尔纳的肖像

Q3 Arts and Humanities
Colloquia Pub Date : 2021-12-30 DOI:10.51554/coll.21.48.08
Laima Laučkaitė
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引用次数: 0

摘要

这篇文章的目的是展示德国艺术家在第一次世界大战期间创作的维尔纽斯/维尔纳犹太人的照片。这项研究是基于对当时出版的艺术作品的分析,或在立陶宛、德国和比利时的机构中保存的艺术作品,以及对当时德国期刊上的文章的分析。战争期间,奥贝尔斯特的新闻媒介在最高军事领导人的推动下采取了反犹太立场,但文章作者认为,对维尔纽斯的犹太人及其遗产也存在着不同的态度。维尔纽斯和考纳斯出版的德国报纸的编辑委员会所采纳的记者、作家和艺术家的观点和出身影响了东犹登话语的出现。这种说法相当矛盾,既包括对传统宗教犹太社区及其文化遗产和精神价值的迷恋,同时也包括对社区苦难和贫困的恐惧。这种话语在战后的德国仍然可行,并在两次世界大战期间影响了维尔纽斯犹太艺术的身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Iconography of Jewish Vilna during the First World War
The aim of the article is to show the picture of Jewish Vilnius/ Vilna created by German artists during the First World War. The research is based on an analysis of works of art published in the press of the time, or stored in institutions in Lithuania, Germany and Belgium, and also on an analysis of writings in German periodicals of that time. The media in Ober Ost during the war took an anti-semitic stance, promoted by the top military leadership, but the author of the article argues that there also existed a different attitude towards the Jews of Vilnius and their heritage. The views and origins of journalists, writers and artists taken on by the editorial boards of German newspapers published in Vilnius and Kaunas influenced the emergence of the Ostjuden discourse. This discourse was rather contradictory, and included both fascination with the traditional religious Jewish community, and its cultural heritage and spiritual values, and at the same time horror at the suffering and poverty of the community. This discourse also remained viable in postwar Germany, and influenced the identity of Jewish art in Vilnius in the interwar period.
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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