{"title":"菲力克斯·范·格罗宁根的《破碎的圆圈》(2012)中的音乐、形式和扭曲的时间","authors":"Nachtergaele","doi":"10.5406/MUSIMOVIIMAG.14.1.0026","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores the connections between musical and narrative crookedness in The Broken Circle Breakdown (2012). I propose a definition of narrative tactus to account for the increasingly disruptive impact of the film’s nonlinear structure and consider how the soundtrack both accentuates and counteracts the resulting sense of disjunction.Trigger warning: This article discusses the suicide of one of the film’s protagonists.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"4 1","pages":"26 - 45"},"PeriodicalIF":0.5000,"publicationDate":"2021-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Music, Form, and Crooked Time in Felix van Groeningen’s The Broken Circle Breakdown (2012)\",\"authors\":\"Nachtergaele\",\"doi\":\"10.5406/MUSIMOVIIMAG.14.1.0026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article explores the connections between musical and narrative crookedness in The Broken Circle Breakdown (2012). I propose a definition of narrative tactus to account for the increasingly disruptive impact of the film’s nonlinear structure and consider how the soundtrack both accentuates and counteracts the resulting sense of disjunction.Trigger warning: This article discusses the suicide of one of the film’s protagonists.\",\"PeriodicalId\":41714,\"journal\":{\"name\":\"Music Sound and the Moving Image\",\"volume\":\"4 1\",\"pages\":\"26 - 45\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-03-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Sound and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/MUSIMOVIIMAG.14.1.0026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Sound and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/MUSIMOVIIMAG.14.1.0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Music, Form, and Crooked Time in Felix van Groeningen’s The Broken Circle Breakdown (2012)
Abstract:This article explores the connections between musical and narrative crookedness in The Broken Circle Breakdown (2012). I propose a definition of narrative tactus to account for the increasingly disruptive impact of the film’s nonlinear structure and consider how the soundtrack both accentuates and counteracts the resulting sense of disjunction.Trigger warning: This article discusses the suicide of one of the film’s protagonists.
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