放弃建筑师的愿景:作为参与式设计先驱的美国家庭经济学家,1930-60

IF 0.2 4区 艺术学 0 ARCHITECTURE
Anna Myjak-Pycia
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引用次数: 0

摘要

参与式建筑设计的现象被认为出现在20世纪60年代末和70年代的欧洲。1969年,吉安卡洛·德·卡洛(Giancarlo De Carlo),其主要倡导者之一,发表了一份宣言,他断言“建筑太重要了,不能留给建筑师”,批评建筑实践是一种“建筑内在的侵略性和用户的被动”的关系,并呼吁在建筑师和用户之间建立“创造性和决策等价的条件”,这样实际上建筑师和用户都承担了建筑师的角色。他还主张“发现用户的需求”,并将设计过程设想为“与”用户一起规划,而不是“为”用户规划同年,De Carlo开始在意大利Terni的一个住宅区工作,让未来的居住者参与设计决策。在那个时候进行的其他参与性项目中,有Lucien Kroll为鲁汶大学设计的医学院大楼(1970-6)和Ottaker Uhl在维也纳设计的多层公寓楼Fesstgasse Housing(1979)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Forgoing the architect’s vision: American home economists as pioneers of participatory design, 1930–60
The phenomenon of participatory architectural design is thought to have emerged in the late 1960s and 1970s in Europe. In 1969, Giancarlo De Carlo, one of its main advocates, presented a manifesto in which he asserted that ‘architecture is too important to be left to architects’, criticised architectural practice as a relationship of ‘the intrinsic aggressiveness of architecture and the forced passivity of the user’, and called for establishing ‘a condition of creative and decisional equivalence’ between the architect and the user, so that in fact both the architect and the user take on the architect’s role. He also argued for the ‘discovery of users’ needs’ and envisioned the process of designing as planning ‘with’ the users instead of planning ‘for’ the users.1 In the same year, De Carlo began working on a housing estate in Terni, Italy that involved future dwellers in design decisions. Among other participatory projects carried out around that time were Lucien Kroll’s medical faculty building for the University de Louvain (1970–6) and Ottaker Uhl‘s Fesstgasse Housing, a multi-storey apartment block in Vienna (1979).
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
21
期刊介绍: Arq publishes cutting-edge work covering all aspects of architectural endeavour. Contents include building design, urbanism, history, theory, environmental design, construction, materials, information technology, and practice. Other features include interviews, occasional reports, lively letters pages, book reviews and an end feature, Insight. Reviews of significant buildings are published at length and in a detail matched today by few other architectural journals. Elegantly designed, inspirational and often provocative, arq is essential reading for practitioners in industry and consultancy as well as for academic researchers.
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