{"title":"网络时代的音乐思考(2)","authors":"Alessandro Arbo, A. Bertinetto","doi":"10.54103/2465-0137/16861","DOIUrl":null,"url":null,"abstract":"The articles collected in the present issue of De Musica derive from contributions to the international conference “Penser la musique à l’ère du web / Thinking Music in the Web Age” and continue the investigation developed in the previous issue on the rapid and profound transformations of the contemporary musical culture in the web age. They deal in particular with the impact of the so-called digital revolution on the production, the distribution and the reception of music. \n \n ","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"8 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Thinking music in the web age (2)\",\"authors\":\"Alessandro Arbo, A. Bertinetto\",\"doi\":\"10.54103/2465-0137/16861\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The articles collected in the present issue of De Musica derive from contributions to the international conference “Penser la musique à l’ère du web / Thinking Music in the Web Age” and continue the investigation developed in the previous issue on the rapid and profound transformations of the contemporary musical culture in the web age. They deal in particular with the impact of the so-called digital revolution on the production, the distribution and the reception of music. \\n \\n \",\"PeriodicalId\":38033,\"journal\":{\"name\":\"De Musica Disserenda\",\"volume\":\"8 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"De Musica Disserenda\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54103/2465-0137/16861\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"De Musica Disserenda","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54103/2465-0137/16861","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
The articles collected in the present issue of De Musica derive from contributions to the international conference “Penser la musique à l’ère du web / Thinking Music in the Web Age” and continue the investigation developed in the previous issue on the rapid and profound transformations of the contemporary musical culture in the web age. They deal in particular with the impact of the so-called digital revolution on the production, the distribution and the reception of music.
期刊介绍:
De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.