格蕾丝·温德姆·戈尔迪:重新评价“电视界第一夫人”

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2022-05-12 DOI:10.1177/17496020221102086

M. Irwin

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引用次数: 0

摘要

本工作论文探讨了英国广播公司电视谈话和专题助理负责人格蕾丝·温德姆·戈尔迪在20世纪50年代末和60年代初英国广播公司时事和纪录片电视发展中的重要意义。温德姆戈尔迪是这些过程的核心。她热情地致力于创建一个“中立”的时事电视节目，建立在现场形象的真实性基础上。同样的激情在她对纪录片电视制作的态度上并不明显，她鄙视精心制作的纪录片制作过程。值得注意的是，虽然温德姆·戈尔迪是极少数登上BBC管理层最高层的女性之一，但她对公司其他女性员工的鼓励和支持却很有限。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’

This working paper explores the significance of the work of the assistant head of BBC Television Talks and Features, Grace Wyndham Goldie, in the development of current affairs and documentary television which took place at the BBC in the late 1950s and early 1960s. Wyndham Goldie was central to these processes. She was passionately committed to the creation of a ‘neutral’ current affairs television, built upon the veracity of the live image. This same passion was not evident in her attitude to the production of documentary television, and she disdained the carefully crafted process of documentary filmmaking. Notably, while Wyndham Goldie was one of a very few women to reach the top of the BBC management ladder, she offered limited encouragement and support to other women working at the corporation.

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.