{"title":"论安德鲁·j·卡佩尔奖论文","authors":"A. Cheng","doi":"10.1215/0041462x-10028044","DOIUrl":null,"url":null,"abstract":"Abstract:The winner of this year’s prize is Aaron Chandler’s “Slum Simulacra: Jack Kerouac, Oscar Lewis, and Cultures of Poverty.” The judge is Anne Anlin Cheng, professor of English at Princeton University and an affiliated faculty in the Program in American Studies, the Program in Gender and Sexuality Studies, and the Committee on Film Studies. She is an interdisciplinary race scholar who focuses on the intersection between aesthetics and politics, drawing from literary theory, race and gender studies, film and architectural theory, legal studies, and psychoanalysis.","PeriodicalId":44252,"journal":{"name":"TWENTIETH CENTURY LITERATURE","volume":"11 1","pages":"241 - 242"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On the Andrew J. Kappel Prize Essay\",\"authors\":\"A. Cheng\",\"doi\":\"10.1215/0041462x-10028044\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The winner of this year’s prize is Aaron Chandler’s “Slum Simulacra: Jack Kerouac, Oscar Lewis, and Cultures of Poverty.” The judge is Anne Anlin Cheng, professor of English at Princeton University and an affiliated faculty in the Program in American Studies, the Program in Gender and Sexuality Studies, and the Committee on Film Studies. She is an interdisciplinary race scholar who focuses on the intersection between aesthetics and politics, drawing from literary theory, race and gender studies, film and architectural theory, legal studies, and psychoanalysis.\",\"PeriodicalId\":44252,\"journal\":{\"name\":\"TWENTIETH CENTURY LITERATURE\",\"volume\":\"11 1\",\"pages\":\"241 - 242\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TWENTIETH CENTURY LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/0041462x-10028044\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TWENTIETH CENTURY LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0041462x-10028044","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Abstract:The winner of this year’s prize is Aaron Chandler’s “Slum Simulacra: Jack Kerouac, Oscar Lewis, and Cultures of Poverty.” The judge is Anne Anlin Cheng, professor of English at Princeton University and an affiliated faculty in the Program in American Studies, the Program in Gender and Sexuality Studies, and the Committee on Film Studies. She is an interdisciplinary race scholar who focuses on the intersection between aesthetics and politics, drawing from literary theory, race and gender studies, film and architectural theory, legal studies, and psychoanalysis.
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