斯宾塞的《悲歌》

Q1 Arts and Humanities

Spenser Studies Pub Date : 2019-01-01 DOI:10.1086/699751

Samuel V. Lemley

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引用次数: 0

摘要

学者们经常用传统的同义词来粉饰斯宾塞的形容词:可怕的，可怕的，可怕的。虽然斯宾塞的“悲伤”一词毫无疑问在语义上与这些词联系在一起，但它不仅仅是指可怕和怪异。这种收集表明，用这些术语来悲伤地修饰斯宾塞的作品妨碍了对其内涵范围的解读。当我们通读斯宾塞的语料库时，悲哀地传达了三个相互关联的主题联想:时间的流逝、阈限和衰老/可变性。

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Glossing Spenser’s Griesly

Scholars often gloss Spenser’s adjective griesly with conventional synonyms: frightful, horrible, ghastly. While Spenser’s griesly is no doubt semantically linked with these words, it does more than merely denote the frightening and bizarre. This gleaning suggests that glossing Spenser’s griesly in these terms precludes a reading of its connotative range. When read across and through Spenser’s corpus, griesly conveys three linked thematic associations: the passage of time, liminality, and senescence/mutability.

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来源期刊

Spenser Studies Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量