滑板是不和谐的:灾难休闲的节奏分析

IF 1.6 Q2 ETHICS
Brian Glenney, Paul O’Connor
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引用次数: 1

摘要

对滑板运动的研究试图对其进行定义,将其置于时空图式中,并分析其社会和文化维度。我们使用马克思主义理论家亨利·列斐伏尔的节奏分析时间科学来扩展滑板与时间的关系。随着Covid-19大流行对城市社会资本生产的破坏,我们发现滑板运动在城市中与资本主义脱节,并认为这种分离是其表现和文化的核心。我们认为滑板是无节奏的:不和谐的,不协调的,并且破坏了日常资本生产的更可预测的节奏。借鉴Lefebvre的“心律失常”概念,我们尝试重新构思滑板的节拍和节奏:另类、并列、倾斜和矛盾。我们强调这种不协调不是一种疾病,而是滑板运动中更广泛的节奏本体论的一部分。这种不一致也引发了人们对滑板运动与竞技运动、福利和亲社会范式的持续结合的质疑,并提醒理论家们滑板运动仍然是凌乱的、颠覆性的、暗含政治色彩的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Skateboarding as Discordant: A Rhythmanalysis of Disaster Leisure
ABSTRACT Research on skateboarding has sought to define it, place it in a spatial-temporal schema, and analyse its social and cultural dimensions. We expand upon skateboarding’s relationship with time using the Marxist theorist Henri Lefebvre’s temporal science of Rhythmanalysis. With the disruption of urban social production of capital by the Covid-19 pandemic, we find skateboarding renewed in urban disjuncture from Capitalism and argue that this separation is central to its performance and culture. We propose that skateboarding is arrhythmic: discordant, out of step, and disruptive of the more predictable rhythms of everyday production of capital. Drawing on Lefebvre’s concept of ‘arrhythmia’, we attempt re-conceive a beat and tempo of skateboarding: offbeat, juxtaposed, tilted, and contradictory. We emphasise that this discordance is not a malady but part of a broader beat ontology in skateboarding. This very discordance also raises questions about the continued incorporation of skateboarding into competitive sports, wellbeing, and prosocial paradigms and reminds theorists that skateboarding continues to be unkempt, subversive and tacitly political.
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来源期刊
CiteScore
2.50
自引率
23.10%
发文量
20
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