{"title":"雕刻发明的问题。雕刻理论作为一门艺术在皇家绘画和雕塑学院的出现(1651-1674)","authors":"A. Gallay","doi":"10.3917/dss.202.0277","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42795,"journal":{"name":"DIX-SEPTIEME SIECLE","volume":"2 1","pages":"277-295"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Le problème de l’invention en gravure. L’émergence d’une théorie de la gravure comme art libéral au sein de l’Académie royale de peinture et de sculpture (1651-1674)\",\"authors\":\"A. Gallay\",\"doi\":\"10.3917/dss.202.0277\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":42795,\"journal\":{\"name\":\"DIX-SEPTIEME SIECLE\",\"volume\":\"2 1\",\"pages\":\"277-295\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DIX-SEPTIEME SIECLE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3917/dss.202.0277\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DIX-SEPTIEME SIECLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3917/dss.202.0277","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}
Le problème de l’invention en gravure. L’émergence d’une théorie de la gravure comme art libéral au sein de l’Académie royale de peinture et de sculpture (1651-1674)