从那喀索斯到俄耳甫斯。《双峰》中的叙事和观众差异性。大卫·林奇的回归

IF 0.1 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI:10.5944/SIGNA.VOL30.2021.29313

Víctor Iturregui-Motiloa

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引用次数: 0

摘要

摘要:本文对《双峰》中的另类与虚构进行了研究。返回。它将讨论形式和叙事决定作为意义的形式，使用电影和叙事学分析。本研究将关注视点的建构和观众对这些图像的认同。林肯电影的经典主题，如另类和复制的世界和人物，在电视剧中得到了升华。此外，这些观点通过重新诠释两个与他者有关的神话来体现:俄耳甫斯和那喀索斯。

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DE NARCISO A ORFEO. ALTERIDAD NARRATIVA Y ESPECTATORIAL EN TWIN PEAKS. THE RETURN DE DAVID LYNCH

Abstract: This paper consists on a study of alterity and fiction in Twin Peaks. The Return. It will discuss the formal and narrative decisions as forms of signification, using film and narratological analysis. This research will pay attention to the construction of the point of view and to the identification of the spectator towards these images. The classical themes on lynchean films, such as alternative and duplicate worlds and figures, sublimate in TV fiction. Moreover, these ideas are represented by reinterpreting two myths related to the Other: Orpheus and Narcissus.

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来源期刊

Signa-Revista de la Asociacion Espanola de Semiotica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

258