浪费生命和驱逐。Benh Zeitlin对南方野生动物的研究

Q4 Arts and Humanities
G. Gajewska
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引用次数: 0

摘要

作者分析了生态危机和社会危机的相互决定因素。出发点是Zygmunt Bauman的浪费生命的概念和Saskia Sassen提出的驱逐的概念,指的是破坏特定地区和居住在这些地区的社区的活动。这个框架包括展示反乌托邦未来的各种场景的电影,其中个人角色或整个群体被侵略性的capitalocene消耗和驱逐,注定要生活在当代文明的垃圾箱中。本文重点介绍了本·泽特林导演的电影《南国野兽》。作者着眼于现实,同时,电影的墙/坝的象征意义;生活在它两边的社区,自然和文化之间的关系,或者更确切地说(在后人文主义的术语中,它被写成一个词——自然文化);晚期资本主义机制所使用的排除和驱逐人类和非人类的方法和后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wasted lives and expulsions. A study of Beasts of the Southern Wild by Benh Zeitlin
The author analyzes the mutual determinants of the ecological and social crisis. The starting point is Zygmunt Bauman’s concept of wasted lives and the concept of expulsions proposed by Saskia Sassen, referring both to activities destroying specific areas and the communities inhabiting them. This frame includes films showing various scenarios of a dystopian future in which individual characters or entire groups have been consumed and expelled by the aggressive Capithalocene and doomed to live in the dustbin of contemporary civilization. The article focuses on the production Beasts of the Southern Wild directed by Benh Zeitlin. The author looks at the reality and, at the same time, the symbolism of the film’s wall/dam; communities living on both sides of it, relationships between nature and culture, or rather (in posthumanist terms it is written as one word – natureculture); the methods and consequences of excluding and expelling human and non-human beings used by the mechanisms of late capitalism.
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来源期刊
Images (Poland)
Images (Poland) Arts and Humanities-Visual Arts and Performing Arts
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