电影《逃出绝命镇》(2017)中赋予黑人角色力量的音乐方面

Syeikha Annisa Marasabessy, Lucia Lusi Ani Handayani
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引用次数: 0

摘要

在21世纪的今天,很多美国电影对黑人的表现仍然存在问题,因为电影并没有省略对黑人的刻板印象,与其他种族相比,黑人经常被描绘成不被尊重和不聪明的人。很多电影都试图改变他们的视角,但他们仍然无法完全摆脱这些刻板印象。本文通过对乔丹·皮尔电影《逃出绝命镇》(2017)中对白、符号、声音和音乐的研究,运用话语分析的方法来研究黑人角色的刻板印象。本文观察到,在黑人的男子气概、不文明行为和独特的种族劳动等方面,电影的表现仍然将黑人与白人区分开来。因此,尽管电影努力赋予黑人角色权力,但与白人角色相比,黑人角色被视为低人一等。音乐的运用也强调了两个种族之间权力关系的差异。本文的总体发现表明,在赋予黑人权力的电影中仍然存在对黑人的刻板印象,这表明种族代表性应该得到彻底的监控。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Musical Aspects for Empowering the Black Characters in the Movie Get Out (2017)
In this 21st century, the representation of Black people in many U.S. movies is still problematic, for the movies do not omit the stereotypical representations of Black people, which are often depicted being disrespectful and unintelligent compared to other races. Many movies have been trying to change them into another perspective, yet they are still unable to completely get rid of those stereotypes. By looking through the cinematic aspects, the dialogues, and the symbols along with the sounds and music used, this paper examines the stereotypes of Black characters the movie Get Out (2017) by Jordan Peele using discourse analysis. The paper observes that the representation of the movie still distinguishes Black from White in the aspects of body over mind in Black masculinity, incivility, and distinctive racial labor. As a result, Black characters are seen inferior compared to White characters despite the movie’s effort to empower them. The use of music also emphasizes the power relation difference between the two races. Overall finding of the paper reveals that the existence of Black stereotypical depiction is still found in a movie empowering Black people showing that race representation should be monitored thoroughly.
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