石膏模型和工作室的亲密性

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Isabella Lores-Chavez
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引用次数: 0

摘要

在17世纪,石膏模型是灵感和指导的重要来源,成为荷兰画家工作空间图像中反复出现的主题,是智力和体力劳动的标志。画家们用石膏模型来展示他们对古代和文艺复兴时期模仿古代模型的雕塑的渊博知识。石膏模型也为雄心勃勃的画家提供了一种与其他大师交流个人和抱负的手段。档案记录中石膏模型的存在以及工作室的绘画描绘提供了这些物品对荷兰艺术家实践和他们声称的杰出血统的影响的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Plaster Cast and the Intimacy of the Studio
In the seventeenth century, plaster casts, which were essential sources of inspiration and instruction, became a recurring motif in images of Dutch painters’ workspaces, a marker of both intellectual and manual labor. Painters used plaster casts to proclaim their erudite knowledge of antiquity and of Renaissance sculpture that emulated ancient models. Plaster casts also provided a means for ambitious painters to communicate their personal and aspirational ties to other masters. The presence of plaster casts in archival records along with painted depictions of the studio provide insights into the impact of these objects on Dutch artists’ practice and the distinguished lineages they claimed.
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来源期刊
Ge-Conservacion
Ge-Conservacion HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.50
自引率
33.30%
发文量
37
审稿时长
4 weeks
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