整体艺术:瓦格纳在《指环》中的艺术和音乐哲学

Soraya Peront
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引用次数: 0

摘要

理查德瓦格纳是浪漫主义时期最著名的作曲家之一,因为他强烈的情感音乐,迷人的歌剧情节,以及他以前所未有的方式将视觉艺术,声乐和器乐结合在一起的独特想法。他的音乐在当时被认为是高度进步的;瓦格纳还拥有独特的哲学信仰,这为他的音乐奠定了基础。瓦格纳关于艺术和音乐的开创性思想,以及它们应该如何搭配在一起,导致了许多歌剧的创作,这些歌剧在今天的永久保留曲目中仍然占有一席之地,包括《尼伯龙根的指环》,或《指环》系列。《指环》系列是瓦格纳创作生涯的巅峰之作。虽然他之前的歌剧都是创新的,但瓦格纳在《指环》中倾注了他最具开创性的思想,花了20多年的时间才完成。这个循环由四个独立的歌剧组成,它们包含一个连续的故事情节和音乐主题,所有这些都通过主题联系在一起,同样以器乐、声乐和视觉艺术为特色。最终,理查德·瓦格纳关于艺术和音乐的哲学导致了他对主题的使用和对Gesamtkunstwerk的支持,这影响了他在《指环》系列中的作曲技巧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Total Artwork: Wagner's Philosophies on Art and Music in the Ring Cycle
Richard Wagner is one of the most renowned composers of the Romantic period, due to his intensely emotional music, captivating operatic plots, and his unique idea to combine visual art, vocal music, and instrumental music in an unprecedented way. His music is acclaimed for being highly progressive for its time; Wagner also held unique philosophical beliefs which formed the foundation for his music. Wagner’s pioneering ideas about art, music, and the way they should be paired together led to the composition of many operas that still have a place in the permanent repertoire today, including Der Ring des Nibelungen, or the Ring cycle. The Ring cycle is the pinnacle of Wagner’s compositional career. Though his previous operas were innovative, it was the Ring into which Wagner poured his most groundbreaking ideas, taking over twenty years to complete it. The cycle consists of four independent operas that contain a continuous storyline and musical themes, all tied together through leitmotifs and equally featuring instrumental music, vocal music, and visual art. Ultimately, Richard Wagner’s philosophies about art and music led to his use of leitmotifs and his support of Gesamtkunstwerk, which influenced his compositional techniques in the Ring cycle.
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