禅寺装饰作为意象学隐喻的印度教-佛教思想

Q1 Arts and Humanities
Handriyotopo Handriyotopo
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引用次数: 2

摘要

老三寺是一个建筑结构,充满了美丽的装饰和装饰,浮雕和雕像。因此,本研究旨在分析代表印度教和佛教思想的老三寺浮雕中象征主义的隐喻方面。它还旨在理解这个结构的图像意义,作为一个寺庙建筑,团结不同的和平目的。这是一项定性描述和解释性研究,使用“负一”技术来确定去除寺庙元素的效果。运用解释性-隐喻性的解释性描述,将装饰物的符号形象化,并确定印度教象征主义与佛教意识形态领域之间的哲学意义。结果表明,老三寺的浮雕元素和装饰装饰都体现了爱的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Plaosan Temple Ornaments As Iconography Metaphorical Hindu-Buddhist Ideology
Plaosan Temple is a building structure filled with beautiful ornaments and decorations, reliefs, and statues. Therefore, this research aims to analyze the metaphorical aspect of symbolism in the Plaosan temple reliefs, which represent Hindu and Buddhist ideologies. It also aims to understand the iconographic meaning of this structure as a temple building that unites differences for a peaceful purpose. This is a qualitative descriptive and interpretative research with the “minus one” technique used to determine the effect of removing an element of the temple. The hermeneutic-metaphorical interpretive description was used to visualize the ornaments’ symbols and determine the philosophical meaning between the ideological domain of Hindu symbolism and Buddhism. The results showed that the manifestation of love from the Plaosan temple is indicated in its temple’s relief elements and decorated ornaments.
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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