{"title":"没有名字的女人?从女导演的视角看土耳其电影中的女性角色","authors":"Aybike Serttaş, Yaren Kalkan","doi":"10.33115/udg_bib/cp.v11i22.22789","DOIUrl":null,"url":null,"abstract":"AbstractIt can be observed that there was a quantitative increase in the films of female directors in Turkey in 2000s and these directors started to create their own cinematic language. These directors produce films by being influenced by the patriarchal society they live in and deal with the problems women experience in that society.","PeriodicalId":41893,"journal":{"name":"Westminster Papers in Communication & Culture","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2022-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Woman Has No Name? Female characters in Turkish cinema through the eyes of female directors\",\"authors\":\"Aybike Serttaş, Yaren Kalkan\",\"doi\":\"10.33115/udg_bib/cp.v11i22.22789\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"AbstractIt can be observed that there was a quantitative increase in the films of female directors in Turkey in 2000s and these directors started to create their own cinematic language. These directors produce films by being influenced by the patriarchal society they live in and deal with the problems women experience in that society.\",\"PeriodicalId\":41893,\"journal\":{\"name\":\"Westminster Papers in Communication & Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2022-07-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Westminster Papers in Communication & Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33115/udg_bib/cp.v11i22.22789\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Westminster Papers in Communication & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33115/udg_bib/cp.v11i22.22789","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
The Woman Has No Name? Female characters in Turkish cinema through the eyes of female directors
AbstractIt can be observed that there was a quantitative increase in the films of female directors in Turkey in 2000s and these directors started to create their own cinematic language. These directors produce films by being influenced by the patriarchal society they live in and deal with the problems women experience in that society.
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