{"title":"电影理论","authors":"Dominic Lash","doi":"10.1093/ywcct/mbad004","DOIUrl":null,"url":null,"abstract":"\n This chapter discusses three notable books concerning film theory that were published in 2022 which are particularly significant in what they reveal about the current understanding of form within the discipline. The chapter is divided into four sections: 1. Kyle Stevens (ed.), The Oxford Handbook of Film Theory; 2. Eugenie Brinkema, Life-Destroying Diagrams; 3. Jordan Schonig, The Shape of Motion: Cinema and the Aesthetics of Movement. 4. Conclusion.","PeriodicalId":35040,"journal":{"name":"Year''s Work in Critical and Cultural Theory","volume":"8 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Film Theory\",\"authors\":\"Dominic Lash\",\"doi\":\"10.1093/ywcct/mbad004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This chapter discusses three notable books concerning film theory that were published in 2022 which are particularly significant in what they reveal about the current understanding of form within the discipline. The chapter is divided into four sections: 1. Kyle Stevens (ed.), The Oxford Handbook of Film Theory; 2. Eugenie Brinkema, Life-Destroying Diagrams; 3. Jordan Schonig, The Shape of Motion: Cinema and the Aesthetics of Movement. 4. Conclusion.\",\"PeriodicalId\":35040,\"journal\":{\"name\":\"Year''s Work in Critical and Cultural Theory\",\"volume\":\"8 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Year''s Work in Critical and Cultural Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/ywcct/mbad004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Year''s Work in Critical and Cultural Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/ywcct/mbad004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
This chapter discusses three notable books concerning film theory that were published in 2022 which are particularly significant in what they reveal about the current understanding of form within the discipline. The chapter is divided into four sections: 1. Kyle Stevens (ed.), The Oxford Handbook of Film Theory; 2. Eugenie Brinkema, Life-Destroying Diagrams; 3. Jordan Schonig, The Shape of Motion: Cinema and the Aesthetics of Movement. 4. Conclusion.