重访沙巴Dusunic船琵琶:正在消失的音乐传统

IF 0.2 0 MUSIC
Jacqueline Pugh-Kitingan
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引用次数: 0

摘要

来自Tambunan的Kadazan Dusun sundatang, Rungus sundatang和Lotud gagayan是沙巴的三种船琵琶。每一个都是由一根菠萝蜜木雕刻而成,但结构不同。有点像菲律宾的船琵琶,它们不同于沙捞越和加里曼丹的琵琶。它们在非仪式环境中被独奏。然而,gagayan是成对演奏的(batangkung), Tambunan sundatang有时会伴随着手持的锣,伴随着缓慢而平静的magarang sundatang舞蹈。今天,很少有音乐家演奏独特的Tambunan sundatang,而Lotud gagayan最近随着老表演者的去世而衰落。龙格斯孙唐仍然存在,并继续在许多长屋表演。本文讨论了这三种类型的Dusunic船琵琶,它们的结构,演奏方法和音乐,并提出了在婆罗洲北部发现的这些乐器的可能起源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Revisiting the Dusunic Boat Lutes of Sabah: Disappearing Musical Traditions
The Kadazan Dusun sundatang from Tambunan, the Rungus sundatang, and the Lotud gagayan are three kinds of boat lutes from Sabah. Each is carved from a single log of jackfruit wood, but vary structurally. Resembling somewhat Philippine boat lutes, they differ from the sape-types of Sarawak and Kalimantan. They are played solo in non-ritual contexts. The gagayan, however, was played in pairs (batangkung) and the Tambunan sundatang was sometimes accompanied by a hand-held gong when accompanying the slow, sedate magarang sundatang dance. Today, there are very few musicians playing the unique Tambunan sundatang, while the Lotud gagayan has recently declined with the demise of older performers. The Rungus sundatang is still extant and continues to be performed in many longhouses. This paper discusses these three types of Dusunic boat lutes, their structures, performance practices and music, and suggests a possible origin for these kinds of instruments found in northern Borneo.
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CiteScore
0.40
自引率
50.00%
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