这是亨德里克再次发现的作品

IF 0.1 2区艺术学 0 ART

OUD HOLLAND Pub Date : 2016-12-21 DOI:10.1163/18750176-12901007

Stefan Bartilla

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引用次数: 0

摘要

阿姆斯特丹私人收藏中的一幅画，迄今为止一直被认为是雅各布·阿德里安斯·贝克尔的作品，与布拉格国家美术馆中亨德里克·布洛梅尔特1633年的画作《忏悔的大卫国王》有着惊人的密切关系。经过与圣经中的一段话(约伯记42章7-9节)和Adriaen Collaert根据Johannes Stradanus的绘画绘制的版画的仔细比较，阿姆斯特丹这幅画的主题被重新确定为约伯在他的朋友们的燔祭上的代祷。通过与Hendrick Bloemaert和他的父亲Abraham Bloemaert的作品进行比较，分析了Job-painting的风格，确认了Hendrick Bloemaert的作品。最后，阿姆斯特丹的这幅画与一幅被认为已经丢失的画相一致，根据1778年的消息来源，这幅画是由亨德里克·布卢默特(Hendrick Bloemaert)绘制的，并于1633年献给乌得勒支的圣Jobsgasthuis，描绘了“Gebed en Brand-offer van Hiob”。

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"Hiobs Fürbitte vor dem Brandopfer seiner Freunde" - ein wiederentdecktes Werk von Hendrick Bloemaert

A painting in a private Amsterdam collection, which until now had been attributed to Jacob Adriaensz Backer, shows a surprisingly close relation to the 1633 picture Penitent King David byHendrick Bloemaert in the National Gallery in Prague. After a close comparison with a passage from Scripture (Job chapter 42, verses 7-9) and a print by Adriaen Collaert, based on a drawing by Johannes Stradanus, the subject of the Amsterdam picture has been determined anew as Job's intercession at the Burnt Offering of His Friends. An analysis of style of the Job-painting, based on a comparison with works by Hendrick Bloemaert and his father Abraham Bloemaert, confirms the attribution to Hendrick Bloemaert. Lastly, the Amsterdam picture is identified with a painting, assumed to be lost, which according to a source from 1778, was painted by Hendrick Bloemaert and dedicated to the Sint Jobsgasthuis in Utrecht in 1633 and which depicts the "Gebed en Brand-offer van Hiob"

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来源期刊

OUD HOLLAND Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.30

自引率

33.30%

发文量

期刊介绍： The periodical Oud Holland is the oldest surviving art-historical periodical in the world. Founded by A.D. de Vries and N. der Roever in 1883, it has appeared virtually without interruption ever since. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century and has featured thousands of scholarly articles by Dutch and foreign authors, including numerous pioneering art-historical studies. Almost from the magazine’s inception, the publication of archival information concerning Dutch artists has played an important role. From 1885 to his death in 1946, the renowned art historian Dr. Abraham Bredius set a standard of excellence for Oud Holland.