当计算机进入音乐场景:计算机音乐中心和威尼斯双年展的合作

S. Canazza, Giovanni De Poli, Alvise Vidolin
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引用次数: 0

摘要

20世纪80年代初,计算机音乐中心(CSC)与威尼斯双年展(Venice Biennale)之间的合作时代,是技术艺术和计算机音乐发展的真正突破。多亏了这种合作,计算机音乐,在那些年里,它被限制在研究实验室里,为内部人士试镜,进入了当代音乐的全球舞台。CSC现任主任Sergio Canazza采访了这一努力的两位主要人物,旨在见证这一创造性的转折点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
When the computer came into the music scene: the collaboration between the Centro di Sonologia Computazionale and La Biennale di Venezia
A real breakthrough in the development of technological art and computer music was the collaboration era between the Centro di Sonologia Computazionale (CSC) and the Venice Biennale in the early 1980s. Thanks to this collaboration, computer music, which in those years was confined to research laboratories with auditions for insiders, entered the global scene of contemporary music. This interview by Sergio Canazza, current director of CSC, with two leading figures of that endeavor aims to bear witness to that creative turning point.
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