Girls and Literature =开头:少女与文学

Hiromi Tsuchiya Dollase, Wakako Suzuki
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引用次数: 1

摘要

摘要:shōjo shōsetsu文学体裁是伴随着明治时期女子教育的兴起而产生的。早期的故事旨在教育读者成为“贤妻良母”。因此,shōjo shōsetsu所能讲述的故事受到了限制,限制了作者艺术和文学可能性的广度。Shōjo shōsetsu在战后发展和多样化,特别是从20世纪80年代开始,成为年轻女性作家赋予自己权力的一种手段。Shōjo shōsetsu的受欢迎程度最近有所下降,因为读者更广泛地消费各种媒体和类型的故事。本期特刊的目的是思考shōjo shōsetsu的功能、意义和问题。我们不把自己局限于一个严格的、统一的shōjo shōsetsu概念,而是考虑shōjo来自更广泛的文学世界的人物,研究他们的角色、功能和文化含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction: Girls and Literature = イントロダクション: 少女と文学
Abstract:The literary genre shōjo shōsetsu emerged in conjunction with the rise of girls' educationinthe Meiji period. Early stories were meant to educate readers to become "good wives and wise mothers." Accordingly, shōjo shōsetsu endured restrictions on the narratives they could tell, limiting the breadth of their authors' artistic and literary possibilities. Shōjo shōsetsu evolved and diversified in the postwar era and, especially starting in the 1980s, became a means for young female authors to empower themselves. Shōjo shōsetsu have declined in popularity recently as readers consume stories more broadly across media and genres. The goal of this special issue is to contemplate the function, meanings, and problems of shōjo shōsetsu. Instead of merely confining ourselves to a rigid, unified notion of shōjo shōsetsu, we consider shōjo characters from the wider literary world, investigating their roles, functions, and cultural implications.
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