{"title":"古代神与英雄的痛苦:乔瓦尼·安东尼奥·鲁斯科尼《变形木刻》中举起的手臂作为感伤的使用","authors":"G. Capriotti","doi":"10.1484/J.IKON.4.2019016","DOIUrl":null,"url":null,"abstract":"According to Aby Warburg, Ovid and his epigones (translators and illustrators) acted as vehicles for the passionate nature of ancient times, passing it on through generations of readers, and allowi...","PeriodicalId":35167,"journal":{"name":"IKON-Journal of Iconographic Studies","volume":"17 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Pain of Ancient Gods and Heroes: The Use of Raised Arms as Pathosformel in Giovanni Antonio Rusconi's Xylographs for the Trasformationi by Lodovico Dolce\",\"authors\":\"G. Capriotti\",\"doi\":\"10.1484/J.IKON.4.2019016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"According to Aby Warburg, Ovid and his epigones (translators and illustrators) acted as vehicles for the passionate nature of ancient times, passing it on through generations of readers, and allowi...\",\"PeriodicalId\":35167,\"journal\":{\"name\":\"IKON-Journal of Iconographic Studies\",\"volume\":\"17 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IKON-Journal of Iconographic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/J.IKON.4.2019016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IKON-Journal of Iconographic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/J.IKON.4.2019016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Pain of Ancient Gods and Heroes: The Use of Raised Arms as Pathosformel in Giovanni Antonio Rusconi's Xylographs for the Trasformationi by Lodovico Dolce
According to Aby Warburg, Ovid and his epigones (translators and illustrators) acted as vehicles for the passionate nature of ancient times, passing it on through generations of readers, and allowi...
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