陶艺中蓝色色调的物化检验:丰富、深沉、无尽

Colorants Pub Date : 2023-06-19 DOI:10.3390/colorants2020021
Adamantia Panagopoulou, J. Vroom, A. Hein, V. Kilikoglou
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引用次数: 0

摘要

本研究试图从制陶工艺的各个方面入手,重点研究各种釉陶的蓝色颜料和釉料配方;也就是说,在希腊莱斯沃斯岛的米提利尼城堡内的一个救援挖掘现场,收集了伊兹尼克陶器、k塔哈亚陶器、米利都陶器、釉面水果器皿、瓷器、多色釉面器皿和单色釉面器皿。根据23块可以追溯到土耳其/威尼斯时期的陶瓷碎片,对装饰、表面处理和生产技术进行了研究。本研究涉及釉陶的制造,特别是颜色配方和釉面技术问题。本研究旨在探讨米蒂利尼釉面陶瓷的中世纪色彩配方。这是通过使用一种分析过程来完成的,该过程考虑了蓝色颜料、釉料和防滑涂层的成分信息。化学分析采用扫描电子显微镜(SEM-EDS)进行,拉曼光谱提供了成分变化的信息,光学显微镜(OM)和扫描电子显微镜(SEM-EDS)的光学检查获得了所检查陶瓷切片的样品地层信息。这项对釉面陶瓷的调查能够通过各种各样的颜色和釉面配方来定义和反映每个社会对颜色的感知的关键方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Physicochemical Examination of Blue Shades in Pottery: Rich, Deep and Endless
This study attempts to take aspects of pottery technology into account while concentrating on the blue pigment and glaze recipes of various kinds of glazed pottery types; that is to say, Iznik ware, Kütahya ware, Miletus ware, glazed fritware, porcelain, polychrome glazed ware, and monochrome glazed ware were collected from a rescue excavation site within the Castle of Mytilene in Lesvos Island, Greece. The decoration, surface treatment, and production technology were investigated on the basis of 23 ceramic fragments that can be dated to the Turkish/Venetian period. The present study concerns the manufacture of glazed pottery, and in particular, colour recipes and issues of glaze technology. This study endeavoured to look into the specifics of the medieval colour recipes used on the glazed ceramics from Mytilene. This was accomplished by using an analytical process that took into account the compositional information of blue pigments, glazes, and slip coatings. The chemical analysis was conducted using scanning electron microscopy (SEM-EDS), Raman spectroscopy provided information about the compositional variation, and the optical examination via optical microscopy (OM) and scanning electron microscopy (SEM-EDS) yielded information about the sample stratigraphy of the examined ceramic sections. This investigation into glazed ceramics was able to define and reflect the key aspects of each society’s perception of colour through a large variety of colour and glaze recipes.
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