没有地方比得上家吗?女性在莫拉·德尔佩罗的电影中寻找自己的位置

IF 0.2 0 FILM, RADIO, TELEVISION

Journal of Italian Cinema and Media Studies Pub Date : 2022-03-01 DOI:10.1386/jicms_00122_1

Maria Letizia Bellocchio

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引用次数: 0

摘要

本文是对意大利电影制作人莫拉·德尔佩罗的首次学术研究，并分析了她的小说电影《Hogar》(2019年)、纪录片《教授》(2008年)和《娜迪亚和斯维塔》(2012年)。这三部电影分别进行了讨论，也通过比较分析，调查了德尔佩罗作品中女性在世界上寻找一席之地的电影表现模式，主题和风格上的反复出现的元素以及虚构和非虚构电影制作之间的动态。在对德尔佩罗电影的讨论中，作者在2020年5月的一次采访中表达了这位导演对自己作品的反思。

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Is there no place like home? Women’s quest for their place in Maura Delpero’s cinema

This article is the first academic study on the Italian filmmaker Maura Delpero and analyses her fiction film Hogar (Maternal) (2019) and documentaries Signori Professori (‘Professors’) (2008) and Nadea e Sveta (‘Nadea and Sveta’) (2012). The three films are discussed individually and also through a comparative analysis that investigates the modes of filmic representation of the female search for a place in the world, thematic and stylistic recurring elements and dynamics between fiction and non-fiction filmmaking in Delpero’s works. Discussion of Delpero’s films is augmented with the director’s own reflections on her work as expressed in an interview the article author conducted in May 2020.

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来源期刊

Journal of Italian Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

50.00%

发文量

期刊介绍： Journal of Italian Cinema & Media Studies is an English-language forum for theoretical, methodological and critical debate on Italian film and media production, reception and consumption. It provides a platform for dialogue between academics, filmmakers, cinema and media professionals. This peer-reviewed journal invites submissions of scholarly articles relating to the artistic features, cultural themes, international influence and history of Italian film and media. Furthermore, the journal intends to revive a critical discussion on the auteurs, revisit the historiography of Italian cinema and celebrate the dynamic role played by new directors. The journal includes a book and film review section as well as notes on Italian film festivals abroad and international conference reports. The profound transformation undergone by the rapidly expanding media environment under the impact of digital technology, has lead scholars in the field of media studies to elaborate new theoretical paradigms and methodological approaches to account for the complexities of a changing landscape of convergence and hybridization. The boundaries between cinema and media as art forms and fields of inquiry are increasingly hybridized too. Taking into account this evolving scenario, the JICMS provides an international arena for critical engagement with a wider range of issues related to the current media environment. The journal welcomes in particular contributions that discuss any aspects of Italian media production, distribution and consumption within national and transnational, social, political, economic and historical contexts.