古尔娜拉·赛托娃在维吾尔族民间舞蹈艺术发展中的创作作用

Izim Toigan Ospankyzy
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引用次数: 0

摘要

本文考察了G. Saitova的创作和教学路径,他研究了哈萨克斯坦的舞蹈艺术,包括维吾尔族的舞蹈文化。曾在共和杂耍艺术工作室(现为以赵命名的学院)接受编舞教育。自1971年以来,表演和编舞之路一直在以K. Kozhamyarov命名的国家维吾尔学术剧院举行。在哈萨克斯坦,她被认为是一位科学家,在编舞艺术的研究中发挥了重要作用,包括维吾尔族双陆棋的舞蹈文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
GULNARA SAITOVA'S CREATIVE ROLE IN THE DEVELOPMENT OF UYGHUR FOLK DANCE ART
The article examines the creative and pedagogical path of G. Saitova, who studies the dance art of Kazakhstan, including the dance culture of the Uighur people. Having received choreographic education at the Republican Studio of Variety and Circus Art (now the College named after Zh. Yelebekov), since 1971, the performing and choreographer path has been held at the State Academic Uighur Theater named after K. Kozhamyarov.In Kazakhstan, she is recognized as a scientist who plays an important role in the study of choreographic art, including the dance culture of the Uighur backgammon.
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