波斯托夫斯基《世界艺术图景》中的波斯

T. Sivova
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引用次数: 0

摘要

本文主要研究俄国著名作家鲍斯托夫斯基在世界艺术图景中对波斯空间的感知和形象化的主要特征,这是对世界空间图景的语言描述,是研究的一个重大空白。研究结果表明:1)以文化空间为主导的波斯空间个体模式的再现;2)描述波斯地名作品及其功能;3)揭示了作者对伊朗空间的可视化特征:空间表征的复杂性;在使用广泛的色彩范围;色彩和光特性的规律相互作用;倾向于强化对现实的感知。主要的注意力集中在创造波斯图像的色彩、空间和时间特征的基本相互关系上,说明了颜色计时表的功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Persia in the K. Paustovsky’s Artistic Picture of the World
This paper is focused on the main features of perception and visualization of the space of Persia in the artistic picture of the world by Paustovsky, a famous Russian Soviet writer, the linguistic description of the spatial picture of the world which represents a significant research lacuna. As a result of the research 1) representation of the individual model of the Persian space, in which cultural space dominates; 2) Persian toponymic works and its functionality are described; 3) features of the author's visualization of the Iranian space are revealed: which consist in the complexity of spatial characterization; in the use of a wide coloristic range; regular interaction of color and light characteristics; tendency to intensify the reality perception. The main attention is focused on the essential interrelation of coloristic, spatial and temporal characteristics in creating the imagological image of Persia, illustrating the functioning of the color chronotope.
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