基辅精神、艺术和文化环境在18世纪马拉穆鲁斯奇三座木制教堂肖像中的转移和接受

Q4 Arts and Humanities
Dumitrița Daniela Filip
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引用次数: 1

摘要

在马拉穆鲁斯的三座木制教堂(Borșa, Ieud Deal和Poienile Izei)的壁画上,描绘了与基辅政治或教会历史相关的几位圣徒的形象:基辅-佩切尔斯克修道院的安东尼和狄奥多西,同一修道院的其他圣僧,中世纪基辅罗斯圣徒:克尼亚兹(王子)使徒弗拉基米尔,莫斯科大都会约纳,俄罗斯大都会亚历克修斯和基辅大都会彼得。这篇文章的目的是阐明一些光的图像转移路径在图像程序从上述教堂。我还阐明了站在后面的马拉穆列努和基辅之间所谓的联系。上述图像出现在木制教堂的图像项目中,表明了村庄社区与基辅文化、艺术和宗教环境之间的一些联系,这些联系决定了图像在当地图像中的转移和接受。我还对上述教堂中描绘的一些基辅圣徒的身份进行了假设。研究的时间范围是18世纪,这三个教堂都是在这个时期画的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transfer and Reception of the Kyivan Spiritual, Artistic and Cultural Environment in the Iconography of Three Wooden Churches in Maramureș, Eighteenth Century
On the wall painting of three wooden churches from Maramureș (Borșa, Ieud Deal and Poienile Izei) there were depicted images of several saints related to the political or ecclesiastical history of Kyiv: Anthony and Theodosius from Kyiv-Pechersk Lavra, other holy monks of the same Lavra, medieval Kyivan Rus saints: knyaz (prince) apostle Vladimir, Jona metropolitan of Moscow, Alexios metropolitan of Russia and Peter metropolitan of Kyiv. The aim of this article is to shed some light on the transfer paths of the images in the iconographic program from the aforementioned churches. I also illuminate the alleged conecting links between Maramureș and Kyiv, that stood behind. The presence of the aforementioned images in the iconographic program of the wooden churches indicates some ties between the village communities and the Kyivan cultural, artistic and ecclesiastic environment that determined the transfer and the reception of the images in the local iconography. I also hypothesise on the identity of some Kyivan saints depicted in the aforementioned churches. The temporal range of the study is the 18th century, a period of time when all the three churches were painted.
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来源期刊
Annales Universitatis Apulensis. Series Historica
Annales Universitatis Apulensis. Series Historica Arts and Humanities-Visual Arts and Performing Arts
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