音乐流媒体及其在权力、消费和创造动态中的影响

IF 0.8 Q3 COMMUNICATION

Teknokultura: Revista de Cultura Digital y Movimientos Sociales Pub Date : 2020-12-04 DOI:10.5209/TEKN.68748

Ulises Hadjis Labarca

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引用次数: 2

摘要

流媒体在过去五年中主导了音乐和视听媒体的消费。现在，墨西哥80%的音乐都是通过流媒体消费的(guti录影带，2019年)。YouTube、Netflix和Spotify在西方世界占据了无可置疑的霸权地位。这篇文章展示了通过音乐流媒体的消费，与非占有相结合，如何在音乐制作和发行领域开辟了一个新的空间，这在许多方面改变了作曲家的创作。本文还考虑了推荐算法在不同平台上的功率动态。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Music streaming and its consequences within the dynamics of power, consumption and creation

Streaming has dominated the consumption of music and audiovisual media over the last five years. 80% of music in Mexico is now consumed through streaming (Gutiérrez, 2019) YouTube, Netflix and Spotify present an unquestionable hegemony in the Western world. This article shows how consumption through the streaming of music tracks, in conjunction with non-possession, opens up a new space in the world of music production and distribution, which in many aspects changes the creation of composers. The article also considers the power dynamics of the recommendation algorithm on various platforms.

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来源期刊

Teknokultura: Revista de Cultura Digital y Movimientos Sociales HISTORY & PHILOSOPHY OF SCIENCE-

自引率

25.00%

发文量

审稿时长

8 weeks