表演的地方

Colombine Gardair, P. Healey, Martin Welton
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引用次数: 18

摘要

街头表演者使用精心设计的互动:创造他们的表演空间,建立他们的观众,并吸引付款。表演者必须实现的两个关键转变是:(1)将公共空间转变为路人认可的独特表演场所;(2)把一群路人变成观众。在这个街头表演的民族志研究中,我们分析了在公共空间中创建表演场所的具体实用性。我们建议表演者设计他们的动作,以帮助路人和观众将他们识别为表演的一部分。我们研究路人如何表现出他们对正在创作的表演的认识,在成为观众之前先成为观察者。我们探索了表演者用于场所建设的各种技术,并证明在每种情况下,虽然物体本身在吸引最初的注意力方面可能很重要,但只有通过相互作用,它们才能成功地在实际的表演场所建设中发挥作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performing places
Street performers use carefully designed interactions to: create their performance space, build their audience, and elicit payment. Two of the key transformations a performer must achieve are (1) to transform a public space into a distinctive performance place that passers-by acknowledge as such; and (2) to turn a crowd of passers-by into an audience. In this ethnographic study of street shows we analyse the specific practicalities of creating a performance place within a public space. We propose that performers design their actions in ways that help passers-by and audience members identify them as part of a performance. We investigate how passers-by display their recognition that a performance is being created, becoming watchers before being audience members. We explore various techniques performers use for place-construction and demonstrate that in each case, while objects themselves may be important in attracting initial attention, it is only through interaction that they are successful in actual building of a performance place.
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