Anne Goyer, A. Bensalah‐Ledoux, D. Carole, C. Luyer, T. Blanchard, I. Merdrignac, I. Guibard, A. Pillonnet
{"title":"以釉漆为基础的结构蓝色涂料","authors":"Anne Goyer, A. Bensalah‐Ledoux, D. Carole, C. Luyer, T. Blanchard, I. Merdrignac, I. Guibard, A. Pillonnet","doi":"10.21494/iste.op.2019.0423","DOIUrl":null,"url":null,"abstract":"An art/science collaboration has enabled a contemporary artist to re-discover an age-old technique used by glaze-masters such as Leonardo da Vinci. The process uses dark bitumen, white mineral particles, a brush, and knowledge of drying and laying time to produce intense, structural, blue hues that are mainly due to Rayleigh light scattering. Although these blue hues are mentioned in ancient studio manuscripts, very few are found in actual easel painting masterpieces.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"29 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Structural blue coating based on glaze painting\",\"authors\":\"Anne Goyer, A. Bensalah‐Ledoux, D. Carole, C. Luyer, T. Blanchard, I. Merdrignac, I. Guibard, A. Pillonnet\",\"doi\":\"10.21494/iste.op.2019.0423\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"An art/science collaboration has enabled a contemporary artist to re-discover an age-old technique used by glaze-masters such as Leonardo da Vinci. The process uses dark bitumen, white mineral particles, a brush, and knowledge of drying and laying time to produce intense, structural, blue hues that are mainly due to Rayleigh light scattering. Although these blue hues are mentioned in ancient studio manuscripts, very few are found in actual easel painting masterpieces.\",\"PeriodicalId\":80768,\"journal\":{\"name\":\"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe\",\"volume\":\"29 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21494/iste.op.2019.0423\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21494/iste.op.2019.0423","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
An art/science collaboration has enabled a contemporary artist to re-discover an age-old technique used by glaze-masters such as Leonardo da Vinci. The process uses dark bitumen, white mineral particles, a brush, and knowledge of drying and laying time to produce intense, structural, blue hues that are mainly due to Rayleigh light scattering. Although these blue hues are mentioned in ancient studio manuscripts, very few are found in actual easel painting masterpieces.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
