{"title":"乘风破浪","authors":"Kate Seymour","doi":"10.4000/CEROART.7921","DOIUrl":null,"url":null,"abstract":"MVB : First of all, Kate, thank you for taking the time for this interview.Your training as an art historian and conservator of easel paintings (University of Northumbria at Newcastle) and your background, closely linked to Education (SRAL, University of Amsterdam, University of Maastricht) make you a rare and particularly interesting profile for CeROArt readers. This profile was also of interest to ICOM-CC, which has with you chair with field experience in several domains. Let us congratulat...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"76 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ride the wave\",\"authors\":\"Kate Seymour\",\"doi\":\"10.4000/CEROART.7921\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"MVB : First of all, Kate, thank you for taking the time for this interview.Your training as an art historian and conservator of easel paintings (University of Northumbria at Newcastle) and your background, closely linked to Education (SRAL, University of Amsterdam, University of Maastricht) make you a rare and particularly interesting profile for CeROArt readers. This profile was also of interest to ICOM-CC, which has with you chair with field experience in several domains. Let us congratulat...\",\"PeriodicalId\":30124,\"journal\":{\"name\":\"CeROArt Conservation Exposition Restauration dObjets dArt\",\"volume\":\"76 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CeROArt Conservation Exposition Restauration dObjets dArt\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/CEROART.7921\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CeROArt Conservation Exposition Restauration dObjets dArt","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/CEROART.7921","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
MVB : First of all, Kate, thank you for taking the time for this interview.Your training as an art historian and conservator of easel paintings (University of Northumbria at Newcastle) and your background, closely linked to Education (SRAL, University of Amsterdam, University of Maastricht) make you a rare and particularly interesting profile for CeROArt readers. This profile was also of interest to ICOM-CC, which has with you chair with field experience in several domains. Let us congratulat...