作为场所的寺庙:作为分析单位的道路和他们的毁灭

Q3 Social Sciences
Sanjeh Kumar Raman, S. A. Zakaria
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引用次数: 1

摘要

槟城的Arulmigu Kamatchi Amman Devasthanam是马来西亚唯一的毗湿婆迦玛社区寺庙,它标志着进入Pathars的世界;传统的泰米尔金匠,当地印度侨民中的一个亚民族。帕塔尔人将这座寺庙定义为“devasthanam”或“上帝的地方”,这促使本研究将这个社区寺庙作为一个地方进行探索。这项研究将寺庙和人们在其中的生活体验作为分析单元。主要数据来自民族志研究,包括参与性观察和空间研究。次要数据来自文献和照片评论以及开创性的印度艺术家的著作。本研究的发现被记录为一个叙事性的叙述,以揭示该寺庙作为当地Pathar社区生活世界的一个维度,并通过印度教寺庙作为形式、意义和用途的协同作用的概念,了解它如何发展成为一个聚集人类经验、内在和身份形成的场所。这项研究的结果不仅记录了这座寺庙作为一个特定文化连续性的空间,而且强调了认识印度侨民多样性和差异的必要性
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TEMPLE AS PLACE: THE PATHARS AND THEIR DEVASTHANAM AS A UNIT OF ANALYSIS
Arulmigu Kamatchi Amman Devasthanam in Penang is the sole Vishwakarma community temple in Malaysia, and it marks an entry into the world of Pathars; the traditional Tamil goldsmiths, a sub-ethnic group within the local Indian diaspora. The conception of this temple as “devasthanam” or “place of God”, by the Pathars, implores this study to explore this community temple as a place. This study frames the temple and the lived experience a person has in it as a unit of analysis. The primary data comes from ethnographic study that involves participant observation and spatial study. The secondary data is drawn from document and photo reviews alongside the writings of pioneering Indian art historians. The findings of this study are chronicled as a narrative account to reveal this temple as a dimension of the local Pathar community’s lifeworld and to understand how it develops into a locus that gathers human experience, insideness and identity formation through the conception of Hindu temple as a synergy of form, meaning and use. The findings of this study not only record this temple as a space of specific cultural continuity, but highlights the need to recognize the diversity and differences within Indian diaspora
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来源期刊
Alam Cipta
Alam Cipta Social Sciences-Urban Studies
CiteScore
0.50
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