由里扎尔·曼托瓦尼导演的《安塔瑞斯·曼托瓦尼》由拉塔瑞斯·曼托瓦尼执导的电影《安塔里斯》中固有的元素外化

Alfianie Alfianie, Patrisia Cuesdeyeni, Alifiah Nurachmana, Albertus Purwaka, Ika Nurfitria
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引用次数: 6

摘要

本研究旨在确定Rweinda的《Antares》小说在Rizal Mantovani导演的《Antares》电影中的重新组织形式,即收缩、增加和变化的形式。本研究仅限于对内在元素(情节、人物和背景)的组织分析。因此,本研究将描述:(1)Rweinda的小说Antares在Rizal Mantovani导演的电影Antares中的计划化,(2)Rweinda的小说Antares加入Rizal Mantovani导演的电影Antares的计划化,以及(3)Rweinda的小说Antares到Rizal Mantovani导演的电影Antares的变化的计划化。本研究采用描述性定性方法。本研究的对象是Rweinda的小说《Antares》和Rizal Mantovani导演的电影《Antares》。本研究的资料收集程序采用阅读法、观察法和笔记法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ekranisasi Unsur Intrinsik Novel Antares Karya Rweinda ke Dalam Film Antares yang Disutradarai oleh Rizal Mantovani
This study aims to determine the ecranization of Rweinda's Antares novel into the Antares film directed by Rizal Mantovani, namely in the form of shrinking, adding, and varying changes. This research is limited to ecranization analysis of intrinsic elements (plot, characters, and setting). Therefore, this study will describe: (1) the ecranization of Rweinda's novel Antares in the film Antares directed by Rizal Mantovani, (2) the ecranization of the addition of the novel Antares by Rweinda into the film Antares directed by Rizal Mantovani, and (3) the ecranization of changes varies from the novel Antares by Rweinda to the film Antares directed by Rizal Mantovani. This study used descriptive qualitative method. The subject of this research is a novel entitled Antares by Rweinda and the film Antares directed by Rizal Mantovani. Data collection procedures in this study used reading techniques, viewing techniques, and note-taking techniques.
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