“你能让它更像一幅他和她的图画吗?”:二十世纪中期英国小说中的酷儿文本和风衣

Christopher Adams
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引用次数: 0

摘要

S·g·托马斯·坦塞尔在1971年发表了他的论文《书封、导语和书目》,书封作为“出版史上的原材料”获得了越来越多的学术关注。坦塞尔通过对19世纪30年代到现在的早期案例的追踪,得出结论认为,防尘套是“一类重要的原始材料”,它为出版历史学家提供了从价格和印象数字到作者传记信息等各种信息。在他的后续文章《防尘套、经销商和文档》中,坦塞尔发展了他对防尘套的理解,认为它们不仅“展示了有趣或重要的设计师和插画家的作品”,而且对于出版历史学家来说,它们显示了“出版商的品味”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Could you make it rather more of a He and She picture”: Queer Texts and Dust Jackets in Mid-Twentieth Century British Fiction
S G. Thomas Tanselle published his 1971 essay “Book-Jackets, Blurbs, and Bibliographers,” dust jackets have gained increasing scholarly attention as the “rawmaterial of publishing history.” Tracing early examples from the 1830s through the (then) present day, Tanselle concludes that dust jackets are an “important class of primary material” and provide publishing historians with information ranging from price and impression figures to biographical information about authors. In his follow-up article, “Dust-Jackets, Dealers, and Documentation,” Tanselle develops his understanding of dust jackets, arguing that not only do they “display the work of interesting or significant designers and illustrators” but that, for publishing historians, they show “something of the publisher’s taste
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