撒迪厄斯·祖卡罗和普奇教堂在罗马的圣三位一体

IF 0.2 3区 艺术学 0 ART
Georgios E. Markou
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引用次数: 0

摘要

在他1966年关于罗马圣三一教堂普奇教堂的壁画装饰的文章中(图1),约翰·吉尔开始区分塔迪奥·祖卡罗(1529-66)和他的弟弟、合作者和家族企业继承人费德里科(1540/41-1609)的贡献。然而,事实证明这是一项具有挑战性的任务。普奇教堂的装饰不仅是塔迪奥的委托之一,直到他1566年去世才完成,而且费德里科在风格上依赖于他的兄弟,于1589年完成了这项计划。乔治·瓦萨里(Giorgio Vasari)在1568年的《生命》(Vitae)第二版中收录了塔迪奥的传记,他记录说,这位艺术家是在忙着为教堂祭坛画漫画时去世的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Taddeo Zuccaro and the Pucci Chapel in Santissima Trinità dei Monti, Rome
In his 1966 article on the fresco decoration of the Pucci chapel in the church of Santissima Trinità dei Monti in Rome (fig. 1), John Gere set out to distinguish the contribution of Taddeo Zuccaro (1529–66) from that of his younger brother, collaborator, and heir to the family business, Federico (1540/41–1609). This, however, proved to be a challenging task. Not only is the decoration of the Pucci chapel one of Taddeo’s commissions that were left unfinished with his death in 1566, but Federico, who had a stylistic dependence on his brother, completed the scheme in 1589. Giorgio Vasari, who included a biography of Taddeo in the second edition of the Vitae in 1568, recorded that the artist died while busying himself with a cartoon for the chapel’s altarpiece.
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