19世纪末罗马尼亚的中世纪艺术、国家建筑遗产和博物馆

Q3 Arts and Humanities
Anastasis Pub Date : 2021-05-29 DOI:10.35218/armca.2021.1.06
C. Minea
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引用次数: 1

摘要

本文描述了在罗马尼亚这个新的民族国家的背景下,这些物质遗产是如何被赋予新的形状和意义的。首先是罗马尼亚第一家公共博物馆的历史,即布加勒斯特的自然历史和古物博物馆,以及对19世纪罗马尼亚罗马古物的广泛兴趣。然后重点介绍了历史遗迹的第一次修复,以及当时最著名的两位建筑师建立宗教艺术博物馆的倡议:andr Lecomte du no(1844-1914)和Ion Mincu(1852 - 1912)。为罗马尼亚创造国家遗产的过程导致了有价值的新建筑的设计,并得到了国家现代化的强大意愿的支持。与此同时,它也代表了一种破坏性的力量。历史遗址和历史文物的建筑结构被重塑,重建,赋予新的意义和背景,以便适应新的民族国家的政治目标。本文将平衡和分析这些各种努力的意义,以恢复历史遗迹和建立第一批罗马尼亚遗产博物馆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Medieval Art, National Architectural Heritage and Museums in Late 19th Century Romania
This article describes how the material heritage was given new shape and meaning in the context of the new nation-state of Romania. It starts by looking at the history of the first public museum in Romania, namely the Museum of Natural History and Antiquities in Bucharest and also at the broader interest in the Roman antiquities in 19th century Romania. It then focuses on the first restoration of historical monuments and the initiatives of two of the most well-known architects at the time to establish museums of religious art: André Lecomte du Noüy (1844-1914) and Ion Mincu (18521912). The process of creating a national heritage for Romania has led to the design of valuable new buildings and was underpinned by a powerful will to modernise the country. At the same time, it has represented a destructive force. The built fabric of historical sites and historical artefacts were reshaped, rebuilt, given new meanings and context, so that to fit into the political objectives of the new nation-state. The article will balance and analyse the significance of these various efforts to restore historical monuments and establish the first museums of Romanian heritage.
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来源期刊
Anastasis
Anastasis Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
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审稿时长
15 weeks
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