{"title":"创造概念的社会学定义的神话基础","authors":"Roche Cárcel, Juan Antonio","doi":"10.3176/tr.2020.2.03","DOIUrl":null,"url":null,"abstract":"The sociological approach to the concept of creativity lacks some accuracy, since it is addressed from an a priori perspective and admitted without reflecting on what it means socially and culturally. In this connection, the present article tries to provide a specific description of the term from its genealogy and on the basis of the socio-cultural-historical context where it arises. More precisely, it deals with the idea conveyed by western myths, the narrative about the identification of the instituting generatrix forces or the procreative divinities that lie behind the birth of the cosmos, of the world, of society, of the earth, of gods, of humans, of animals, and of plants. Thus, from an interpretative examination of the myths about Mother Goddess, those about Biblical Genesis, as well as of Greek creation myths, an attempt will be made to draw a conceptual map that delimits the most defining features of creativity (1). The ultimate goal is to check whether such characters have survived to the present day (2).","PeriodicalId":44498,"journal":{"name":"Trames-Journal of the Humanities and Social Sciences","volume":"72 1","pages":"161"},"PeriodicalIF":0.5000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MYTHICAL BASES FOR A SOCIOLOGICAL DEFINITION OF THE CONCEPT OF CREATIVITY\",\"authors\":\"Roche Cárcel, Juan Antonio\",\"doi\":\"10.3176/tr.2020.2.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The sociological approach to the concept of creativity lacks some accuracy, since it is addressed from an a priori perspective and admitted without reflecting on what it means socially and culturally. In this connection, the present article tries to provide a specific description of the term from its genealogy and on the basis of the socio-cultural-historical context where it arises. More precisely, it deals with the idea conveyed by western myths, the narrative about the identification of the instituting generatrix forces or the procreative divinities that lie behind the birth of the cosmos, of the world, of society, of the earth, of gods, of humans, of animals, and of plants. Thus, from an interpretative examination of the myths about Mother Goddess, those about Biblical Genesis, as well as of Greek creation myths, an attempt will be made to draw a conceptual map that delimits the most defining features of creativity (1). The ultimate goal is to check whether such characters have survived to the present day (2).\",\"PeriodicalId\":44498,\"journal\":{\"name\":\"Trames-Journal of the Humanities and Social Sciences\",\"volume\":\"72 1\",\"pages\":\"161\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2020-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Trames-Journal of the Humanities and Social Sciences\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.3176/tr.2020.2.03\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Trames-Journal of the Humanities and Social Sciences","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.3176/tr.2020.2.03","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
MYTHICAL BASES FOR A SOCIOLOGICAL DEFINITION OF THE CONCEPT OF CREATIVITY
The sociological approach to the concept of creativity lacks some accuracy, since it is addressed from an a priori perspective and admitted without reflecting on what it means socially and culturally. In this connection, the present article tries to provide a specific description of the term from its genealogy and on the basis of the socio-cultural-historical context where it arises. More precisely, it deals with the idea conveyed by western myths, the narrative about the identification of the instituting generatrix forces or the procreative divinities that lie behind the birth of the cosmos, of the world, of society, of the earth, of gods, of humans, of animals, and of plants. Thus, from an interpretative examination of the myths about Mother Goddess, those about Biblical Genesis, as well as of Greek creation myths, an attempt will be made to draw a conceptual map that delimits the most defining features of creativity (1). The ultimate goal is to check whether such characters have survived to the present day (2).